![]() ![]() With the advent of the death-metal band fronted by a female death-growl vocalist, traditional gendered codes of behaviour seem to come into opposition with one another. Please review their details and accept them to load the content. We need your consent to load this YouTube content We use YouTube to manage extra content that can set cookies on your device and collect data about your activity. Known most commonly as "the death growl" (or, satirically, "Cookie-monster vocals"), this virtuosic extended vocal technique requires coaching in order to produce the desired sound and to avoid injury in doing so. These women have mastered the once exclusively male technique of extreme guttural vocals. How, then, does one understand the recent influx of female performers? Their presence has complicated notions of what masculinity means in this context. In addition, there is much misogyny in the subgenre, which is clearly evident in many of the song lyrics, some of which describe rape, disfigurement and sexual and physical violence against women. Within the sub-genre of death metal, the value placed on displays of power, aggressiveness, and hypermasculinity are brought to the extreme. Almost half a century since Black Sabbath (arguably) invented the dreaded and oft-derided genre of heavy metal, it remains a largely male bastion. Powerful, extreme, aggressive, loud, assertive, masculine: these are words that litter descriptions of metal music, its performance, and its sonority. Analysis: an influx of female death metal performers has raised many issues around the misogyny prevalent in the genre ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |